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Limoges Porcelain in the 20th Century
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Poisson de Chine (Chinese Fish), E.M. Sandoz, Theodore Haviland,
Limoges, 1920. |
First Half of the 20th Century Two movements, art nouveau and art deco, predominated in the first half
of the 20th century and consequently influenced the style of Limoges porcelain
makers who often worked in conjunction with important contemporary artists
of the period. Art nouveau was brought to Limoges porcelain design initially
through work made by the GDA factory in Limoges. Samuel Bing, one of the
movements founders, had noticed ware made by GDA at the Universal
Exhibition in Chicago in 1892 and commissioned further work from the factory
in collaboration with artists such as Edward Colonna, Georges de Feure
and Paul Jouve. The art deco movement firmly established itself at the
Exposition internationale des arts décoratifs et industriels modernes
held in 1925 in Paris, and Limoges porcelain makers embraced the new style,
working with, amongst others Lalique, Dufy and Sandoz. ...several works
displaying an architectural style close to cubism.
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| Air France table service, Raymond Loewy, Raynaud factory, Limoges,
1976. |
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Second Half of the 20th Century Porcelain production in Limoges took time to recover in the aftermath
of the Second World War. An effort was made to renew the industry by working
closely with contemporary designers and for example a service designed
by Raymond Loewy was made for Air France in 1976. Since its beginnings,
Limoges porcelain has evolved in tune with artistic developments of each
successive period and a constant feature has always been collaboration
between contemporary artists and porcelain manufacturers in Limoges. |